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	<title>Comments on: Context is King</title>
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		<title>By: Jay Rhoderick</title>
		<link>http://blog.graphient.com/2009/05/29/context-is-king/comment-page-1/#comment-47</link>
		<dc:creator>Jay Rhoderick</dc:creator>
		<pubDate>Fri, 17 Jul 2009 21:08:19 +0000</pubDate>
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		<description>Context and negative space-- as an improviser and director I am constantly noticing how the space on the stage and the silences in actors&#039; performances, stillnesses, and contrasts with other moments CREATES context for storytelling, turning points, and generating meaning.  i.e.--&quot;This is significant!&quot;. 
Also, the posting on patterns created visually in our world--the use-worn churchsteps and subway maps--resonates with how stage performances and improvised behavior of any sort reveal patterns of aesthetic choice-making as well as patterns of behavior and instinct.  The story and scene-structures follow patterns which actor/improvisers seek to portray powerfully, logically, and yet carry a strong subconscious shard archetypal pattern.</description>
		<content:encoded><![CDATA[<p>Context and negative space&#8211; as an improviser and director I am constantly noticing how the space on the stage and the silences in actors&#8217; performances, stillnesses, and contrasts with other moments CREATES context for storytelling, turning points, and generating meaning.  i.e.&#8211;&#8221;This is significant!&#8221;.<br />
Also, the posting on patterns created visually in our world&#8211;the use-worn churchsteps and subway maps&#8211;resonates with how stage performances and improvised behavior of any sort reveal patterns of aesthetic choice-making as well as patterns of behavior and instinct.  The story and scene-structures follow patterns which actor/improvisers seek to portray powerfully, logically, and yet carry a strong subconscious shard archetypal pattern.</p>
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